Portfolio

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1990.10.1 - 10.6 Exhibition Yutaka Moriguchi, gallery white, Osaka

  • Installation view, 1990

  • Installation view, 1990

  • The book of body and water,1990
    Found object, heavy oil, diameter 140cm

  • Passage of transparent heat,1990
    Found object, rusty iron plate, pigment, 200x90cm

  • Interruption of the description,1990
    Found object, rusty iron plate, lead, 200x90cm

  • The insoluble time,1990
    Found object, rusty iron plate, thermometer, 200x90cm

  • Circuit of water, 1990
    Found object, rusty iron plate, water, 200x90cm

1990.10.16 - 10.28 "DRAWING WORKS - Ⅱ" Gallery Coco, Kyoto

  • Anxiety of distant,1990
    Found object, rope, print, No.F30 x2 (collection of Mr. Tsukasa Mori)

  • Overlap distance,1990
    Found object, plant, print , No.F30 x2

1992.6.17 - 7.7 "soft roomⅡ", ITOKI Crystal Hall, Osaka

  • Installation view, 1992

  • Installation view, 1992

  • Installation view, 1992

  • Installation view, 1992

  • Installation view, 1992

1992.10.26 - 10.31 "coming and going between presence and absence-scene I, II", Shinanobashi-gallery, Osaka

  • coming and going between "presence" and "absence"-scene I, 1992
    iron, slide projection on the iron plate

  • coming and going between "presence" and "absence"-scene I, 1992
    iron, slide projection on the iron plate

  • Installation view, 1992

  • coming and going between "presence" and "absence"-scene II, 1992
    iron, water, slide projection on the iron plate

  • coming and going between "presence" and "absence"-scene II, 1992
    iron, water, slide projection on the iron plate

  • coming and going between "presence" and "absence"-scene II, 1992
    iron, water, slide projection on the iron plate

1993.11.15 - 11.20 "coming and going between ‘presence’ and ‘absence’-‘position of absence", Shinanobashi-gallery, Osaka

  • position of absence, 1993
    mirror, wood, styrene, paint

1994.1.15 - 2.27 "Criteriom 9, Yutaka Moriguchi ", Art Tower Mito Contemporary Art Gallery,No. 9 exhibition room, Ibaraki

  • coming and going between "presence" and "absence"- circle of landscape, 1994
    mirror, glass, chairs

  • coming and going between "presence" and "absence"- circle of landscape, 1994
    mirror, glass, chairs

  • coming and going between "presence" and "absence"- circle of landscape, 1994
    mirror, glass, chairs

  • coming and going between "presence" and "absence"- circle of landscape, 1994
    mirror, glass, chairs

  • coming and going between "presence" and "absence"- circle of landscape, 1994
    mirror, glass, chairs

1994.1.26 - 2.27 "Kyoto Art: Yesterday, Today and Tomorrow 14, meditation by feeling, Takashi Soga + Yukio Fujimoto + Yutaka Moriguchi ", Kyoto Municipal Museum of Art, Kyoto

  • coming and going between "presence" and "absence",1994
    slide projection on the iron plate (initial production 1991), iron plate size 200 x 600cm

  • coming and going between "presence" and "absence" - Passage,1994
    iron, opposite mirror

  • coming and going between "presence" and "absence" - sceneⅡ, 1994
    iron objects, water, and slide projection on the iron plate(initial production 1992)

  • coming and going between "presence" and "absence" - sceneⅡ, 1994
    iron objects, water, and slide projection on the iron plate(initial production 1992)

  • position of absence, 1994
    mirror, wood, styrene, pigment(initial production 1993)

1994.9.26 - 10.1 "coming and going between ‘presence’ and ‘absence’-circle of landscapeⅡ", Shinanobashi-gallery, Osaka

  • coming and going between "presence" and "absence"- circle of landscapeⅡ, 1994
    mirror, glass, chairs

  • oming and going between "presence" and "absence"- circle of landscapeⅡ, 1994
    mirror, glass, chairs

  • coming and going between "presence" and "absence"- circle of landscapeⅡ, 1994
    mirror, glass, chairs

  • coming and going between "presence" and "absence"- circle of landscapeⅡ, 1994
    mirror, glass, chairs

1994.9.27 - 10.2 "coming and going between ‘presence’ and ‘absence’-Still Life ", Gallery Coco, Kyoto

  • coming and going between ‘presence’ and ‘absence’-
    Still Life,1994
    Camera obscura

1994.12.10 - 12.21 "Tamotsu Shiihara + Tadahisa Hayashi + Yutaka Moriguchi", ABC Gallery, Osaka

  • position of absenceⅡ, 1994
    wood, FRP, glass

  • position of absenceⅡ, 1994
    wood, FRP, glass

  • position of absenceⅡ, 1994
    wood, FRP, glass

1995.6.1 - 6.28 Exhibition Yutaka Moriguchi, INAX Gallery 2, Tokyo

  • coming and going between "presence" and "absence"- circle of landscapeⅡ, 1995
    mirror, glass, chairs

  • coming and going between "presence" and "absence"- The inner form,1995
    water, aquarium, slide projection

  • coming and going between "presence" and "absence"- The inner form,1995
    water, aquarium, slide projection

1997.3.1 - 3.30 new artists in Kansai, object and apperance, The Museum of Modern Art, Wakayama

  • Artificial Happiness,1997
    fragrance, glass, rotate table

1997.5.27 - 6.1 "coming and going between presence and absence – The red shadow", gallery-coco, Kyoto

  • coming and going between "presence" and "absence"-carps on the pond, 1997
    water, aquarium, slide projection, golden fish

  • coming and going between "presence" and "absence"-carps on the pond, 1997
    water, aquarium, slide projection, golden fish

  • coming and going between "presence" and "absence"-carps on the pond, 1997
    water, aquarium, slide projection, golden fish

  • coming and going between "presence" and "absence"-The red shadow, 1997
    red wine, glass, pin-spotlight, rotate table

  • coming and going between "presence" and "absence"-The red shadow, 1997
    red wine, glass, pin-spotlight, rotate table

1998.12.5 - 12.20 1998.12.5 - 12.20 "Translated Reality", Nishinomiya Otani Memorial Art
Museum, Hyogo

  • Translated Reality - chairⅠ, 1998
    chair, light bulb

  • Translated Reality - chairⅠ, 1998
    chair, light bulb

  • Translated Reality - carps on the pond, 1998
    Slide projected onto shoji, glass, rotate table

  • Translated Reality - carps on the pond, 1998
    Slide projected onto shoji, glass, rotate table

  • coming and going between "presence" and "absence"-The red shadow, 1998
    red wine, glass, pin-spotlight, rotate table

  • coming and going between "presence" and "absence"-The red shadow, 1998
    red wine, glass, pin-spotlight, rotate table

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